애니메이션에 나타난 아브젝시옹 연구 －얀 슈반크마이에르의 <앨리스>을 중심으로－

초록

This article aims to examine the characteristics features of Abjection in directed by Jan Svankmaje reviewing them with a Julia Kristeva`s theories. The “Abjection” is termed the contradictory psychological phenomenon that the subject banishes and excludes the abject, but it concurrently fascinated with abject. The abjection is the physical and symbolic feeling and reaction of the subject to the abject and resistance of the subject to external threats the subject wants to put some distance. It is significant to analyze how those explorations on “Abjection” are visualized in Svankmajer` First, this paper looks at the concept of Julia Kristeva`s theory and analyzing visual features of Jan Svakmajer`s based on “Abjection.” It intends to provide clues to understand inexplicable contents of the work by tracing the relations between Jan Svakmajer`s and Kristeva`s concept of “Abjection.” The Main method of this article is to analyze the books and periodicals about Julia Kristeva`s theories. Additionally, literatures including precedent studies, other publications and critics would be taken as a second text. According to the analysis of the work, it has been found that the theme and visual expressions penetrating are based on the concept of ‘Abjection``. In this point, they can be said to be the cinematic report of “Abjection” that was advocated by Julia Kristeva in the end of the 20th century.

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