해방기 조향 시 연구 - ‘낭만’을 중심으로

초록

This paper is study on Cho-hwang poetic orientation in liberation period. Using the language of `Romanticism`, Cho Hwang tried to redefine the new passage of literature with a new meaning. The study aims to find out what the term `romantic` is used in the cho-hwang`s poetry. To Cho-hwang, liberation means new and strange literary environment that should be writing a poem by Korean language. Cho-hwang started writing poetry in Japanese. Japanese as writing media let him imagined the new Korean literary tradition. He wanted to name `tradition` as the basis of `modernity` in the term of `romance`. Modernity project is based on the traditional sensibility `romance`. Cho-hyang has stressed that the role of `intelligence`. because `intelligence` is very important in order to move `romantic` to `modernity`. Through liberation, his poetry changes with intelligence. In the ≪romantic≫ fourth album, “Romanticism” aims toward the direction of modernity instead of the traditional sensibility. And as a specific aspect of the `modeoniti`, he notes Korean language and reveals his “surrealism” orientation. His surrealism focuses on `language` problems. And he experiments Korean language as a poetic language.

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