퀘이형제 애니메이션 <악어의 거리>의 초현실주의적 표현 특성 연구

초록

This article aims to examine the characteristics made known in directed by the Quay Brothers reviewing them with a surrealism theory. It intends to provide clues to understand inexplicable contents of the work by tracing the relations between a surrealism theory and Freud`s concept of "uncanny." Main scopes and contents of this article are the comparative analysis of surrealistic aesthetics and Freud`s "uncanny." and analyzing visual features of animation based on these two theories. The Main method of this article is to analyze the books and periodicals about two theories. Additionally, literatures including precedent studies, other publications and critics would be taken as a second text. The concept of "marvelous" comprising a part of the basis of surrealistic aesthetics is explained by "convulsive beauty" and "objective chance." It associates the prototype of a trauma which induces Freud`s "uncanny." It is significant to analyze how those explorations on "unconsciousness" are visualized in The Street of Crocodiles. According to the analysis of the work, it has been found that the theme and visual expressions penetrating The Street of Crocodiles are based on the concept of marvelous in surrealism. In this point, The Street of Crocodiles can be said to be the modern-version cinematic report of "unconsciousness" that was advocated by surrealism and Freud in the beginning of the 20th century.

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