조선문단 연구-‘조선문학’의 창안과 문학 장 생산의 기제에 대하여

{Chosunmundan} - about origination of literature and production of writer, reader, and the literary world

초록

The aims of this thesis is to study the origination of literature and production of writer, reader, and the literary world in mid 1920s. For this purpose, analysis and interpret of an editorial policy - feature articles, a serial plan, arrangement of photograph, in {chosunmundan}. The introduction to literature and presentation of foreign literature justify and originate their literature, their generation, their social position, in the means of national literature and characteristic of Global(universal) and chosun(distinctiveness). Self-representaion, meta-discourse - for ex opening of writer's private, photograph, description of writers, opening of meeting for a joint review- is conducive to production of writer, reader, and the literary world

키워드

1920년대 중반; 자기재현; 메타담론; 조선적인 것; 국민문학; 보편적인 것; 문학 장; 작가의 창안; 독자의 창안; 시각적 대상; mid 1920s; self-representaion; meta-discourse national literature; production of writer; production of reader; literary world; visual object.; mid 1920s; self-representaion; meta-discourse national literature; production of writer; production of reader; literary world; visual object.
제목
조선문단 연구-‘조선문학’의 창안과 문학 장 생산의 기제에 대하여
제목 (타언어)
{Chosunmundan} - about origination of literature and production of writer, reader, and the literary world
저자
차혜영
발행일
2006-09
저널명
한국문학이론과 비평
권
10
호
3
페이지
195 ~ 228