K-미학 연구 - 몸, 귀신, 율려 그리고 그늘(흰그늘)에 대한 탐문과 한국시

초록

The Mom is not substance. It is a living being that possesses ‘vainness’, ‘perineum orientation’, ‘symmetry of Yin and Yang’, ‘process of life and birth’, ‘virtue of a Gishin and its magnificence’, etc. It's real. ‘Geuneul’, ’Hingeuneul’, ‘Gishin’, ‘Yullyeo’ and ‘life’ all require a Mom. The Mom is a passage and medium that embodies Geuneul, Hingeuneul, Gishin, Yullyeo, and life. Because we have a Mom, we can know the existence of Geuneul, Hingeuneul, Gishin, Yullyeo, and life. These beings are all abstract concepts, and the Mom is what makes them vivid and concrete. A Geuneul, a Gishin, a Yullyeo, and life without a Mom are nothing more than an illusion or a Gishin. In this respect, the Mom is an object of reflection and a subject of reflection that we must look deeply into. Like the poet who is “over fifty” and “becoming an enlightener again,” we must all “hold an ash stick in our hands” and devote ourselves to “awakening our bodies and raising them one by one.” Korean poetry as K-aesthetics has developed into various forms and will continue to do so in the future. However, in order for Korean poetry to become deeper and more solid, its foundation must be life with Geuneul, Gishin, and Yullyeo through the body. A life with a body possesses both the ethics and aesthetics of life within it. The specificity of the poet's life is revealed through the body, and through the process of excision through the body, the poem achieves a higher level of aesthetics. The harmony of ethics and aesthetics of life through the body is a trend that has continued from our traditional art. But since modern times, we have quickly forgotten that. Now we must wake up from this oblivion. Shaking “my” Mom to wake up and “meeting a warm Gaebyeok every day” is not the path of poetry that our poets must walk.

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