‘두려운 낯설음’과 ‘경이’로서의 사유기계 - 퀘이형제 애니메이션 중심으로

초록

This study is an intention to analyze a message which passes through the center of the animations of the Quay Brothers through applying an “Uncanny” conception of Sigmund Freud to the movie. This paper first looks at the contents of “Das Unheimliche(The Uncanny)” and analyses what differences are between Freud’s “Uncanny” and surrealistic “Marvelous” and analyzing visual features of animation based on these two theories. The Main method of this article is to analyze the books and periodicals about two theories. Additionally, literatures including precedent studies, other publications and critics would be taken as a second text. The concept of “Marvelous” comprising a part of the basis of surrealistic aesthetics is explained by “Convulsive Beauty” and “Objective Chance.” It associates the prototype of a trauma which induces Freud’s “Unheimliche.” It is significant to analyze how those explorations on “unconsciousness” are visualized in The Quey Brothers’ animation According to the analysis of the works, it has been found that the theme and visual expressions penetrating and are based on the concept of “Unheimliche” and “Marvelous”. In this point, they can be said to be the modern-version cinematic report of “unconsciousness” that was advocated by surrealism and Freud in the beginning of the 20th century.

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