오시이 마모루 작품에 나타난 시뮬라시옹 연구

초록

Simulacre is one of the major topics in the Western philosophy since Plato. Since the 20th century, the Western philosophy is based on rationalism toward ’absolute truth' founded on Platonic Ideas. The concept of Simulacre is ignored and rejected until the modern days. However, Simulalcre is gaining its attention at this time of image. and the time of Simulalcre. The concept of postmodern Simulacre, started from Walter Benjamin is developed by Gnther Anders, Jacques Derrida, Gilles Deleuze, and Jean Baudrillard. This study, based on the Jean Baudrillard’s ∞n∞pt of Simulacre, examines today’s Simulacre phenomena and analyzes the cinematic works of Oshii Mamoru who displays the concept of Simulalcre in his films. Analyzing and evaluating his recent visual works based on Simulalcre theory with such superficial methods as advanced special visual effects is a mistake that demeans Simulation? (Matrix). Today, Simulacre phenomena are scattered all over our life. The search of its substance and the analysis of his artworks will be a foundation that makes a new alternative suggestion.

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