시와 정체공능(整體功能)의 미학- 박목월의 「나그네」와 「윤사월」을 중심으로

초록

The nature is the important virtue as well as the identity to prescribe the characteristic of Park Mok-Wol’s poetry. Along this his nature was understood in that the poet’s individual ideal and imagination made the nature and it is the new one including unity with the nature. But it is not perfect to consider that his nature is individual product. It is to be considered that the nature is Jeongchegongneung in some space not just as substance. His poems, “Traveler”, and “the Second April” are based on the nature as Jeongchegongneung. Therefore his nature has the ideal and transcendental character. But the ideal and transcend are different from the substantial world made by human rationality in the state separated with the whole world. The substantial world is just kind of a tool in the level of Jeongchegongneung. Those who have understood and interpreted nature and space within the Western substantialism could have prescribed like this easily. Although the nature as Jeongchegongneung has worked as the definite base on the thought, philosophy, culture and arts in the northeast Asia such as Korea, China and Japan, the nature and space has been interpreted, being cut off and forgotten. It tells us the history could have been distorted. The oblivion is related with the poems based on the nature. The findings on the nature as Jeongchegongneung forgotten will be the new findings on the poetry. The poetry of the northeast Asia such as Korea, China and Japan is the evidence of Tao hidden by the nature. As the nature works as basic Gongneung within human consciousness, life and system, the subtle and mysterious world hidden by the nature is embodied to one style. It is the poetry. All the human character, emotion and thought appear, while imitating and following the universe and the space (nature). It shows the possibility of new poetic breakthrough.

키워드