概念整合视角下电影《隐入尘烟》中土地意象的认知解读

Cognitive Interpretation of “Land” Imagery in the Film “Return to Dust” from the Perspective of Conceptual Integration Theory

초록

From the perspective of conceptual integration theory, this article attempts to explore the dynamic construction process of the internal meaning of the “land” image in the film using the four types of integration networks of this theory, providing a new way for the in-depth interpretation of the “land” image in the film. The movie “Return to Dust” tells the story of two low-level rural characters in northwest China. By grasping the internal theme of the film, we can have a deeper understanding of China’s current rural social change and characteristics of the times. ‘Land’ is an indispensable image in ‘Return to Dust’, which is directly related to the inner theme of the film and contains profound connotations under the representation. To deeply grasp this inner meaning, it is necessary to integrate the cognitive process, which requires the use of conceptual integration theory to interpret the land image. By using conceptual integration theory to conduct cognitive analysis of the “land” image in the film, we can understand the cognitive dynamic construction mechanism and the complex generative process of intrinsic meaning and gain new aesthetic experiences. At the same time, it also provides an effective explanatory approach for the cognitive mechanism involved in the construction of the internal meaning of the “land” image.

키워드

概念整合理论概念整合网络电影≪隐入尘烟≫类属空间合成空间Conceptual integration theoryConceptual integration network“Return to Dust”generic spaceblending space
제목
概念整合视角下电影《隐入尘烟》中土地意象的认知解读
제목 (타언어)
Cognitive Interpretation of “Land” Imagery in the Film “Return to Dust” from the Perspective of Conceptual Integration Theory
저자
WANG, FEI
DOI
10.35982/jcs.104.4
발행일
2023-05
유형
정기학술지(Article(Perspective Article포함))
저널명
중국학보
104
페이지
71 ~ 86