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한국 현대시와 패러디
초록
As people have run dry of modern style widely, they have been given critical mind by parody, which appeared as central concept in the whole society and culture concerned with crisis and renewal of poetry. It's true that style of poetry doesn't change much compared with other styles. Because it is defined as the style of confession and monologue, which is thought individual mentality important. However the style of poetry has openness and interaction inside. which cannot be defined with just confession and monologue. In Korean poetry it is the 'Yongsaron' that defines the characteristic of poetry. 'Yongsaron' is the theory of creation, quoting poem from history book or various master's poem. It can be the model of interaction with mutual texts. 'Yongsa' is quite different with parody in the point of view, that it can't escape from ideology of 'Jeongye' The parody can be defined as repetition with change, but 'Yongsa' has limitation in the 'difference' The difference reflects the difference of modern poetry and previous poetry. The parody of Korean Modern Poetry creates the unique style, passing the history of colony, division, dictatorship for development, ideology and movement. In 1920's and 1930's it is revealed as the style of ethnical ideology which pursuit self-identity. In 1960's and 1980's after Korean division it can be seen as the form of resisting government. In this point of this view the poetry of that period, which reveals the modern contradiction precisely, is actualized well with the idea of denying world and satire. However it's changed in 1990's. The problem is emerging, which makes people feel reappearance is in crisis, think reappearance is impossible, and deny reappearance. The sublime beauty disappeared, and the modern artistic aura, which producer can have, became unnecessary thing. Parody doesn't have the idea of denial and satire anymore. As that makes the core disappear, people have premonition of the matter of poetry of crisis and death. But it is the pessimistic that appearance of pastiche links to poetic crisis and death. The matter of poetic crisis and death has been suggested since 1990's, but it doesn't show any result. It is true that poetry exists changing its appearance and fitting the sensibility in this era. The matter that poetic parody has been sensational is concerned with the context of history and society, which is called the era of losing aura, and cloning technology. The social and historical context of poetry is significant in the point of view, that it has the cause of revival over the disappearance of poetry.
키워드
- 제목
- 한국 현대시와 패러디
- 제목 (타언어)
- The parody of Korean Modern Poetry
- 저자
- 이재복
- 발행일
- 2007-08
- 저널명
- 국제어문
- 호
- 40
- 페이지
- 37 ~ 70