이랑신(二郎神) 양전(楊戩)의 콘텐츠 활용에서 상징적 의미와 이미지 재구성

The Symbolic Meaning and Image Reconstruction in the Utilization of Irangshin Yangjeon's Content

초록

Chinese mythology is an integral component of Chinese culture, encompassing a rich historical legacy and profound cultural significance. With the advancement of globalization and information technology, mythological figures have transcended temporal and cultural boundaries, emerging as universal symbols that are continually reinterpreted and disseminated through modern narratives. One such figure is also known as Yang Jian, who embodies the values of filial piety and resistance to authority in Chinese mythology. Since ancient times, he has garnered considerable reverence and attention. How can the depiction of Erlang Shen be traced back to the Han Dynasty, where he evolved through various representations, including Li Bing, Du Jian, and Zhao Yu, before being definitively established as Yang Jian during the Ming Dynasty? In contemporary society, the rapid development of the cultural industry has facilitated the widespread adaptation of Erlang Shen across various forms of media, including animation, games, and television dramas. The animated film New Gods: Yang Jian reimagines the character as a mortal who has lost his divine powers and embarks on a journey to save the world. Similarly, the video game Black Myth: Wukong presents Yang Jian as a figure who endures adversity while safeguarding the relics of Sun Wukong, challenging players to navigate his trials. Additionally, the television drama The Prequel to the Lotus Lantern integrates elements of traditional mythology with new emotional dimensions, offering a modernized interpretation of the character. These contemporary adaptations reconstruct Yang Jian’s image through digital technology and modern storytelling techniques, reflecting contemporary values and imbuing new meanings. His portrayal frequently explores themes of resistance to authority and the pursuit of justice, playing a crucial role in connecting traditional culture with modern commercial value. Across various media platforms, Yang Jian serves as a symbolic bridge between tradition and modernity, demonstrating how traditional mythology can be reinterpreted in contemporary narratives. This process, known as content innovation, not only preserves traditional culture but also enhances its value through commercial success. By offering a fresh perspective and inspiration for the modern reinterpretation of mythological figures, it signifies a seamless blend of cultural heritage and contemporary creativity, achieving both cultural preservation and dynamic evolution.

키워드

이랑신(二郎神) 양전(楊戩)저항정신효도문화콘텐츠 혁신Chinese mythologyErlang Shen Yang Jianfilial pietymodernizationcultural reconstructionsymbolic representation이랑신(二郎神) 양전(楊戩)저항정신효도문화콘텐츠 혁신 Chinese mythologyErlang Shen Yang Jianfilial pietymodernizationcultural reconstructionsymbolic representation
제목
이랑신(二郎神) 양전(楊戩)의 콘텐츠 활용에서 상징적 의미와 이미지 재구성
제목 (타언어)
The Symbolic Meaning and Image Reconstruction in the Utilization of Irangshin Yangjeon's Content
저자
고운기방흠정
DOI
10.15859/yscs..85.202502.419
발행일
2025-02
유형
정기학술지(Article(Perspective Article포함))
저널명
열상고전연구
85
페이지
419 ~ 477